Classic Negative
Рецептx-trans-ivCLASSIC NEGATIVE
Superia Print
Soft, nostalgic tones with a subtle grain for a timeless feel
Примеры кадровПрямо из камеры
Посмотрите, как это выглядит, прежде чем вносить.
Unedited JPEGs from x-trans-iv bodies — straight out of camera.
Об этом рецепте
Superia Print has that particular charm of a good lab scan: cool shadows, lively colour, and just enough texture to keep digital files from feeling clinical. Built on Classic Negative, it pairs a blue-shifted daylight balance with stronger colour and midtone clarity for a crisp, scanned-film character. It feels especially natural around city streets, architecture, and waterfront scenes when golden-hour light starts mixing warm highlights with cooler shadows. Overcast conditions work beautifully too, giving the colours room to stand out without becoming garish.
Раздел 01
Все настройки
Внесите каждое значение ниже в пользовательский пресет (C1–C7) вашей камеры. Порядок совпадает с меню «Редактировать/сохранить пользовательские настройки» на камерах x-trans-iv.
| Параметр | Значение | Копировать |
|---|---|---|
| Film Simulation | Classic Negative | |
| DR Priority | Auto | |
| Highlight | 0 | |
| Shadow | 0 | |
| Color | +3 | |
| Sharpness | -3 | |
| Noise Reduction | -4 | |
| Clarity | +3 | |
| Grain Effect | Weak | |
| Grain Size | Small | |
| Color Chrome FX | Weak | |
| Color Chrome FX Blue | Weak | |
| Monochromatic Color | WC 0 / MG 0 | |
| White Balance | Daylight | |
| WB Shift | R -2 / B +3 | |
| ISO | up to ISO 6400 | |
| Exposure Compensation | -1/3 to +1/3 |
Раздел 02
Совместимость
Рассчитан на сенсоры x-trans-iv and gfx. Проверен на камерах ниже.
Сенсоры
Камеры
Заметки со съёмки
Когда этот рецепт раскрывается.
Superia Print is inspired by the look of Fujifilm's consumer colour negatives as they appear after a lab scan. Classic Negative provides the familiar cyan-leaning shadows and warm-cool separation, while a daylight white balance nudged towards blue lends a cool, fresh cast. Colour saturation is boosted, so greens, teals and reds read confidently without tipping into garishness, and gentle chrome effects add depth to saturated areas. The tonal curve is left to Dynamic Range Priority, which balances highlights and shadows automatically. An unusual pairing of added clarity with reduced sharpening gives midtones punch and structure while edges stay free of harsh digital halos, closer to the texture of a scan than a sharpened file. Light, fine grain keeps things subtle. It sings in golden-hour streets and architecture, where warm light meets cool shadows for a lively, contrasty scanned-film feel.
Superia Print is great for street, urban and architectural scenes, particularly at golden hour or on overcast days where its cool cast and bold colour add life. Avoid it for studio portraits, where the cool tint is unflattering, and for pure landscapes that need a neutral, natural rendering.
В чём хорош
- ✓Cool, crisp cast recalls lab-scanned consumer negatives.
- ✓Boosted colour gives teals, greens and reds real presence.
- ✓Clarity adds midtone punch without harsh sharpening halos.
На что обратить внимание
- !Clarity slows saving, so bursts feel sluggish.
- !D-Range Priority locks highlight and shadow tone adjustments.
- !Cool tint can make skin look slightly cold.
Частые вопросы
Об этом рецепте.
Superia Print is designed for Fujifilm X-Trans IV and GFX sensors, with the confirmed camera list covering the X-E4, X-Pro3, X-S10, X-T30 II, X-T4, X100V, and GFX100S. These bodies support the Classic Negative and D-Range Priority features required by the recipe.
Superia Print is best suited to street, urban, and architectural photography, particularly during golden hour or on overcast days. Its cool cast and vivid colour create a scanned-film feel that works naturally with urban sunsets, waterfront scenes, architectural surroundings, and relaxed café settings shown in the sample frames.
Superia Print uses D-Range Priority set to Auto, which manages the tonal balance between highlights and shadows rather than leaving those controls available for manual adjustment. The trade-off is less direct control, but the automatic handling provides more consistent contrast across changing lighting conditions while shooting.
Superia Print and Coral Negative use the same Classic Negative base and identical confirmed settings, so there is no documented technical difference between their recipe configurations. The practical distinction comes from their intended visual context: Superia Print is presented around urban dusk, café, waterfront, and pavilion scenes, while Coral Negative is associated with coastal and daylight scenes.
The combination gives the image more midtone structure without relying on strong digital sharpening. With Sharpness at -3 and Clarity at +3, the rendering is intended to retain punch and definition while avoiding an overly sharpened appearance, supporting the recipe's softer, lab-scanned consumer-film character.
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