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Recipex-trans-ivCLASSIC NEGATIVE

Old Ivory Roll

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Sample framesStraight out of camera

See how it looks before you set it.

Close-up of a white flower with yellow accents surrounded by green leaves.
Two tall modern buildings connected by a horizontal structure, shrouded in a hazy atmosphere.
Three chefs preparing food at a modern outdoor event with a city skyline in the background.
A boat sailing on water framed by a heart-shaped structure with a city skyline in the background.

Unedited JPEGs from x-trans-iv bodies — straight out of camera.

Section 01

Full settings

Enter every value below into a Custom (C1-C7) preset on your camera. The order matches the in-camera Edit/Save Custom Setting menu on x-trans-iv bodies.

ParameterValueCopy
Film SimulationClassic Negative
Dynamic RangeDR400
Highlight+2
Shadow+3
Color-1
Sharpness-2
Noise Reduction-4
Clarity-3
Grain EffectStrong
Grain SizeLarge
Color Chrome FXStrong
Color Chrome FX BlueStrong
Monochromatic ColorWC 0 / MG 0
White BalanceCustom Kelvin (7350K)
WB ShiftR -1 / B -4
ISOup to ISO 6400
Exposure Compensation0 to +1
Section 02

Compatibility

Designed for x-trans-iv and gfx sensors. Tested on the bodies below.

Sensors

Cameras

Shooting notes

When this recipe shines.

Old Ivory Roll recalls a roll of colour negative that sat in a drawer for years before it was developed and printed. Built on Classic Negative, it pairs a warm, ivory-to-gold white balance with a gentle lean towards yellow-green, so highlights glow like an aged print rather than a fresh file. Contrast is deliberately strong: brighter tones lift and open while shadows fall away into rich, heavy blacks. Slightly restrained colour keeps the warmth tasteful, and softened micro-contrast plus large, pronounced grain give surfaces a tactile, analogue feel. It is at its best on grey, overcast city days and in low evening light, where muted streets gain warmth, depth and a sense of memory. Busy urban scenes with signage, weathered walls and passing figures suit it especially well.

Old Ivory Roll suits overcast streets, urban walks and evening light, where its warm cast and heavy grain lend flat scenes some mood. Keep it away from studio portraits and clean landscape work: the pronounced grain and ivory-gold tint can feel heavy-handed when you need neutral colour or fine detail.

What it nails

  • ✓Ivory-gold warmth gives grey city days an aged-print glow.
  • ✓Heavy blacks add depth and drama to flat light.
  • ✓Large grain feels tactile and genuinely analogue.

What to watch

  • !Bright, contrasty sun can push highlights past recovery.
  • !Heavy grain hides fine detail in distant landscapes.
  • !DR400 needs a higher base ISO, so carry an ND filter.
FAQ

About this recipe.

Any body with Classic Negative, including X-Trans IV cameras such as the X-T4, X-Pro3, X-E4, X-S10, X-T30 II and X100V, and the GFX100S.
Overcast days and soft evening light. Its strong contrast and warm cast lift flat scenes, while harsh midday sun risks blown highlights.
It uses strong, large grain on purpose to imitate the texture of printed colour negative film, alongside softened micro-contrast for an analogue feel.