Classic Negative
配方x-trans-ivCLASSIC NEGATIVE
Marigold Afternoon
Earthy hues with subtle contrast bring a nostalgic warmth to urban images.
样片机内直出
设置之前先看看效果。
Unedited JPEGs from x-trans-iv bodies — straight out of camera.
关于这个配方
Marigold Afternoon is a Fujifilm Classic Negative recipe for X-Trans IV and GFX cameras that recalls the sun-warmed colour and faded charm of late-summer photographs. Deep, rich colours sit alongside soft shadows and gentle highlights, while the R+3 / B-7 white balance shift deepens the warmth and Clarity -4 keeps the rendering soft. It works best for street and urban photography in golden hour or under overcast skies, where changing light adds depth to familiar places. A classic red car on green grass, a street lamp beside white buildings or a greenhouse interior all suit its character. For crisp, high-detail work or studio portraits, choose another recipe.
第 01 节
完整参数
把下面的每个数值输入相机的自定义预设（C1–C7）。顺序与 x-trans-iv 机身的编辑/保存自定义设置菜单一致。
| 参数 | 数值 | 复制 |
|---|---|---|
| Film Simulation | Classic Negative | |
| Dynamic Range | DR400 | |
| Highlight | -1 | |
| Shadow | -1 | |
| Color | +1 | |
| Sharpness | 0 | |
| Noise Reduction | -4 | |
| Clarity | -4 | |
| Grain Effect | Weak | |
| Grain Size | Small | |
| Color Chrome FX | Off | |
| Color Chrome FX Blue | Weak | |
| Monochromatic Color | WC 0 / MG 0 | |
| White Balance | Custom Kelvin (5500K) | |
| WB Shift | R +3 / B -7 | |
| ISO | up to ISO 6400 | |
| Exposure Compensation | 0 to +1 |
第 02 节
兼容性
为 x-trans-iv and gfx 传感器设计，已在下列机身上测试。
传感器
相机
拍摄笔记
这个配方出彩的时候。
The Marigold Afternoon recipe channels the nostalgic warmth and vibrant hues of late summer days. With a distinctly vintage vibe, it exudes a classic film character akin to faded prints from the 70s. The Classic Negative film simulation delivers deep, rich colours while maintaining soft shadows and gentle highlights, perfect for evocative storytelling. The recipe's subtle cool-blue shift adds a touch of moodiness, ideal for capturing urban environments under overcast skies or during the golden hour. This look brings out the best in street scenes and urban snapshots, where the interplay of light and shadow creates a timeless, cinematic feel. However, it may not be the best fit for studio portraits or expansive landscapes where a more neutral tone is required.
Marigold Afternoon excels in street and urban photography, especially during golden hour or overcast conditions. Its warm hues and nostalgic mood bring urban scenes to life, yet it may not suit studio portraits or landscapes needing a more neutral tone.
擅长之处
- ✓Vibrant colours with a nostalgic feel
- ✓Gentle highlights for softer skies
- ✓Ideal for urban and street scenes
- ✓Subtle cool tone adds mood
注意事项
- !Not ideal for studio portraits
- !Cool shift may affect skin tones
常见问题
关于这个配方。
It is compatible with both X-Trans IV and GFX sensors. Tested camera bodies include the X-E4, X-Pro3, X-S10, X-T30 II, X-T4, X100V, and GFX100S, so photographers using those bodies can apply the recipe as provided.
Street scenes and everyday urban details fit the look particularly well. The sample frames show how it handles a parked red car on grass, a street lamp beside white buildings, and other daytime surroundings where rich colour and a slightly nostalgic rendering can give familiar subjects more character.
Golden hour and overcast conditions bring out the look most effectively. These softer forms of daylight work well with the recipe's deep, rich colours, while its gentle highlights and softer shadow rendering help maintain atmosphere across street scenes, architecture, and other daytime subjects.
Classic Negative, DR400, Highlight -1, Shadow -1, Color +1, Sharpness 0, Noise Reduction -4, Clarity -4, Grain Effect Weak/Small, Color Chrome FX Off, Color Chrome FX Blue Weak, White Balance 5500K with an R+3 / B-7 shift, ISO up to 6400, and exposure compensation 0 to +1. Save them to a Custom Setting slot (C1–C7).
It is tested only on X-Trans IV and GFX bodies. X-Trans V cameras have Classic Negative and the same parameters, so the same settings can be entered. Colour and tone can shift slightly between sensor generations, so test a few frames before relying on it.
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