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레시피x-trans-ivCLASSIC NEGATIVE

Coral Negative

Soft, nostalgic tones with a subtle grain for a timeless feel

예시 사진촬영 그대로

설정하기 전에 결과부터 확인하세요.

A bright orange life buoy hanging on a white railing with calm water and city skyline in the background.
Modern architecture with two buildings facing a swimming pool under a clear blue sky.
Close-up of a modern building facade with curved balconies against a blue sky.
Close-up of a vintage light bulb inside a metal lampshade, glowing warmly.

Unedited JPEGs from x-trans-iv bodies — straight out of camera.

전체 설정값

이 레시피에 대해

Coral Negative gives warm light a cooler edge, making golden-hour colour feel crisp, vivid, and distinctly film-like. Built on Classic Negative, it combines punchy colour with a structured scanned-negative texture, letting coral reds, teals, and greens stand out without turning the frame overly digital. It feels especially natural around waterfronts, modern architecture, and city streets, where warm highlights meet cooler shade. The look is energetic without being loud. Studio portraits are less convincing because the cool tint can noticeably chill skin tones.

섹션 01

전체 설정값

아래 값을 모두 카메라의 커스텀(C1–C7) 프리셋에 입력하세요. 순서는 x-trans-iv 바디의 커스텀 설정 편집/저장 메뉴와 같습니다.

항목값복사
Film SimulationClassic Negative
DR PriorityAuto
Highlight0
Shadow0
Color+3
Sharpness-3
Noise Reduction-4
Clarity+3
Grain EffectWeak
Grain SizeSmall
Color Chrome FXWeak
Color Chrome FX BlueWeak
Monochromatic ColorWC 0 / MG 0
White BalanceDaylight
WB ShiftR -2 / B +3
ISOup to ISO 6400
Exposure Compensation-1/3 to +1/3
섹션 02

호환성

x-trans-iv and gfx 센서에 맞춰 만들었습니다. 아래 바디에서 검증했습니다.

센서

카메라

촬영 노트

이 레시피가 빛나는 순간.

Coral Negative takes its cues from everyday colour negative film as it looks straight off a lab scanner: crisp, slightly cool and full of colour. Classic Negative lays the foundation, with its trademark cyan shadows and warm highlights, and a daylight white balance pushed towards blue gives the whole frame a clean, cool undertone. Saturation is raised so coral reds, teals and greens stand out, and subtle chrome effects hold detail in the richest hues. Contrast is managed automatically by Dynamic Range Priority, keeping both skies and shadows in check. Clarity is lifted for midtone punch while sharpening is reduced, which gives a structured yet natural texture closer to a scanned negative than a crisp digital file. A light, fine grain finishes the look. It flourishes in golden-hour architecture, coastal walks and urban corners, where warm light meets cool shade.

Coral Negative shines on streets, around architecture and on the coast, particularly in golden light or under overcast skies where its cool cast and vivid colour add energy. Skip it for studio portraits, where the cool tint chills skin, and for pure landscapes that need neutral, natural colour.

강점

  • ✓Cool undertone makes warm golden light pop by contrast.
  • ✓Vivid coral reds and teals give urban scenes energy.
  • ✓Scan-like texture feels structured yet natural.

주의할 점

  • !Clarity adds a saving delay after every frame.
  • !Blue-leaning balance can cool skin tones noticeably.
  • !D-Range Priority disables manual highlight and shadow tone.
자주 묻는 질문

이 레시피에 대하여.

Coral Negative is designed for X-Trans IV and GFX cameras that offer Classic Negative and D-Range Priority. The listed bodies are the X-E4, X-Pro3, X-S10, X-T30 II, X-T4, X100V, and GFX100S, with DR Priority set to Auto as part of the recipe.
Coral Negative uses D-Range Priority set to Auto, which manages contrast automatically rather than leaving highlight and shadow tone fully under manual control. When D-Range Priority is active, manual Highlight and Shadow adjustments are disabled, so the recipe keeps both areas managed automatically.
Coral Negative is particularly well suited to coastal walks, waterfront scenes, architecture, and urban corners. This supports direction with water, a city skyline, modern buildings, and architectural details, while the cool, colourful scanned-film finish gives these surroundings added energy.
Golden hour is especially flattering because the recipe is designed to let warm light contrast with its cooler colour character. This works particularly well with architecture and coastal scenes, where warm highlights can stand against cooler shadows and create the crisp, colourful character described in the shooting notes.
Coral Negative is not the best choice for studio portraits because its blue-leaning white balance can make skin tones look noticeably cooler. The recipe is better suited to scenes where its vivid coral reds, teals, and cool undertone can add colour and structure without making natural skin colour the main concern.