Recettex-trans-ivCLASSIC NEGATIVE

Retro Colour Frame

Aller aux réglages

Images d'exempleDirectement en sortie de boîtier

Voyez le rendu avant de la régler.

A modern bridge with people walking on it, overlooking a city skyline at sunset.

A serene waterfront scene with a winding path, trees, and a distant city skyline at sunset.

A collection of coffee brewing equipment on wooden shelves against a brick wall.

Silhouette of a city skyline at sunset with people on a pier overlooking the water.

Unedited JPEGs from x-trans-iv bodies — straight out of camera.

Section 01

Tous les réglages

Saisissez chaque valeur ci-dessous dans un préréglage personnalisé (C1–C7) de votre appareil. L'ordre correspond au menu Éditer/Enregistrer réglages personnalisés des boîtiers x-trans-iv.

Paramètre	Valeur	Copier
Film Simulation	Classic Negative

Section 02

Compatibilité

Conçue pour les capteurs x-trans-iv and gfx. Testée sur les boîtiers ci-dessous.

Capteurs

Appareils

Notes de prise de vue

Quand cette recette brille.

Retro Colour Frame leans into the look of a well-loved consumer colour negative printed a little too warm. Classic Negative supplies the hard-edged colour separation, and a warm white balance pulled towards yellow-green gives highlights an aged, golden glow. Tones are pushed firmly: bright areas bloom and shadows sink into dense, inky pools, so light and shade carve the frame into bold shapes. Colour is held back slightly, which keeps the warmth from turning garish, while softened micro-contrast and heavy, large grain take the digital edge off every surface. The result feels like a print pulled from a shoebox of old holiday snaps. It sings on overcast streets and in low, golden light, where brick, concrete and signage pick up that nostalgic cast and the grain has texture to sit on.

Reach for Retro Colour Frame on overcast city days, in golden-hour streets and around textured architecture, where its warmth and contrast add character. It is not a studio portrait recipe: the heavy grain and warm cast are unkind to controlled skin tones, and pure landscapes can feel muddy rather than clean.

Ses points forts

✓Golden, aged warmth that flatters brick, concrete and signage.
✓Deep shadows give flat, overcast streets real graphic punch.
✓Coarse grain delivers a convincing printed-film texture.

Points de vigilance

!Strong contrast can clip highlights in harsh midday sun.
!DR400 raises the minimum ISO, limiting wide apertures in daylight.
!Warm yellow-green cast is unflattering for studio portraits.

FAQ

À propos de cette recette.

It needs Classic Negative, so it suits X-Trans IV bodies such as the X-T4, X-Pro3, X-E4, X-S10, X-T30 II and X100V, plus the GFX100S.

Street and urban photography, especially on overcast days or in golden light, where its warm cast, deep shadows and heavy grain add a nostalgic printed-film feel.

Not for studio work. The strong grain and warm yellow-green cast are hard on skin tones, so environmental street portraits are a better fit.