PRO Neg. Std
Recettex-trans-ivPRO NEG. HI
Night Studio Tone
Dreamlike portraits emerge with soft highlights and moody blue hues throughout.
Images d'exempleDirectement en sortie de boîtier
Voyez le rendu avant de la régler.
Unedited JPEGs from x-trans-iv bodies — straight out of camera.
À propos de cette recette
Night Studio Tone is built for the glow, colour, and atmosphere of photography after dark. Using PRO Neg.HI with a 2650K white balance, R -1 and B +4 shift, it neutralises warm tungsten light and leans into cooler blue tones that suit stage lighting and illuminated night scenes. DR400, Highlight +1, Color +2, and Strong Color Chrome FX add punch and help bright artificial lights retain character. It feels most at home around concerts, night food spots, and urban subjects lit by artificial light.
Section 01
Tous les réglages
Saisissez chaque valeur ci-dessous dans un préréglage personnalisé (C1–C7) de votre appareil. L'ordre correspond au menu Éditer/Enregistrer réglages personnalisés des boîtiers x-trans-iv.
| Paramètre | Valeur | Copier |
|---|---|---|
| Film Simulation | PRO Neg. Hi | |
| Dynamic Range | DR400 | |
| Highlight | +1 | |
| Shadow | 0 | |
| Color | +2 | |
| Sharpness | +1 | |
| Noise Reduction | -4 | |
| Clarity | 0 | |
| Grain Effect | Weak | |
| Color Chrome FX | Strong | |
| Monochromatic Color | WC 0 / MG 0 | |
| White Balance | Custom Kelvin (2650K) | |
| WB Shift | R -1 / B +4 | |
| ISO | up to ISO 6400 | |
| Exposure Compensation | -1 to +2/3 |
Section 02
Compatibilité
Conçue pour les capteurs x-trans-iv and gfx. Testée sur les boîtiers ci-dessous.
Capteurs
Appareils
Notes de prise de vue
Quand cette recette brille.
The Night Studio Tone recipe brings a comforting warmth and dramatic depth to your night photography, reminiscent of classic film noir. With a subtle bluish cast from the white balance shift, your images take on a moody, cinematic quality that enhances urban landscapes and portraits alike. Highlights are softened to maintain detail in bright lights, while the shadows remain true, offering a balanced contrast that evokes the feeling of wandering city streets after dark. The colour chrome effect intensifies hues, adding richness to your shots, and the weak grain provides a hint of filmic texture without overwhelming detail. It's a recipe that truly sings when capturing the interplay of artificial light and shadow, creating a compelling atmosphere that draws the viewer in.
Night Studio Tone is perfect for low-light portraits and studio settings. It thrives in artificial lighting, capturing the interplay of shadows and highlights beautifully. The recipe isn’t ideal for capturing bright, vivid landscapes, as the mood is more subdued and intimate.
Ses points forts
- ✓Warmth enhances night portraits beautifully
- ✓Intense hues with colour chrome effect
- ✓Softened highlights maintain detail
- ✓Weak grain for subtle texture
Points de vigilance
- !Not for vivid daytime landscapes
- !Bluish cast may affect skin tones
- !ISO 6400 might introduce noise
FAQ
À propos de cette recette.
Night Studio Tone is confirmed for the Fujifilm X-T3, X-T30, and GFX100. These belong to the X-Trans IV and GFX generations supported by the recipe, giving it a narrower camera range than many other Fujifilm recipes. Newer Fujifilm bodies are not listed among its confirmed compatible cameras.
A 2650K white balance matches warm tungsten and artificial lighting, so the camera neutralises that warmth instead of adding to it. That makes it particularly well suited to the kind of night photography associated with stage performances, illuminated venues, and other scenes where artificial light is the dominant source rather than natural daylight.
Night Studio Tone is particularly suited to atmospheric scenes involving artificial light and activity after dark. Concert performances, singers and musicians under stage lighting, illuminated food trucks, and brightly lit sculptures against a night setting all fit its warm, cinematic character and richer colour response.
Bright daylight and neutral-light scenes are better avoided with this recipe because its 2650K white balance is set for warm artificial lighting. Under daylight, it pushes the image strongly towards blue, a pronounced colour cast that may feel unnatural for scenes intended to look neutral.
The B +4 shift adds more blue on top of the 2650K setting, which already cools the scene by neutralising warm artificial light. Together they give night scenes a cooler colour balance, letting the blue tones of stage lighting and illuminated subjects gain depth instead of being swallowed by tungsten warmth.
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